Motionographer

Virtual production is here to stay, But, what does it mean? And how do we get the most out of it? Multi-award-winning VFX Supervisor and Creative Director, Øystein Larsen, talks us through the basics.

Folio, a giant of the illustration world, launches its own in-house animation studio on 28 January 2022.

Optical illusions are like magic tricks waiting on the page. London-based animator and director Chris Cray talks us through the best ways to get them moving.

The ADVERTISING Club of New York’s International ANDY Awards, a barometer of the industry's best creative talent, has announced the regional shortlist winners across APAC 2022.

Horton-Stephens have a proven track record of working with the some of the best in stills photography and motion design. Throughout their years of experience they have also nurtured excellent relationships with advertising and creative agencies and are trusted in delivering high quality productions.

Working with such a versatile, multifaceted landscape such as ‘The Lume’ was like nothing I’ve experienced before. Finding the rhythm of the piece across 30 large scale screens allowed me as the editor to provide the audience with a deeper visual and sensory experience.

As a director, Soloff specializes in and takes particular care to engage the viewer with fast-paced movements, using vivid colors as a descriptor of how one feels and wants to express themselves. Much of Soloff’s art is grounded in movement, whether it be a great deal of camera movement or dynamic movement direction with his subjects.

This is an open call for articles about your experiences with NFTs and the Metaverse.

Director and Creative Director at Scholar studio, Michael Tavarez, tells us why having a ‘specialty’ isn’t the only way to survive and thrive in Motion Design.