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Working with such a versatile, multifaceted landscape such as ‘The Lume’ was like nothing I’ve experienced before. Finding the rhythm of the piece across 30 large scale screens allowed me as the editor to provide the audience with a deeper visual and sensory experience.

As a director, Soloff specializes in and takes particular care to engage the viewer with fast-paced movements, using vivid colors as a descriptor of how one feels and wants to express themselves. Much of Soloff’s art is grounded in movement, whether it be a great deal of camera movement or dynamic movement direction with his subjects.

This is an open call for articles about your experiences with NFTs and the Metaverse.

Director and Creative Director at Scholar studio, Michael Tavarez, tells us why having a ‘specialty’ isn’t the only way to survive and thrive in Motion Design.

Games artist Nathaniel Albright's neat free tool combines multiple materials into a single texture map.

At Cutters, Hernández has contributed to numerous high-profile commercials for brands such as The General Insurance, Hallmark, Modelo, Nissan, Ram, and Rocket Mortgage.

Discover how to model, texture and light ultra-realistic 3D characters with tips from leading CG artists.

Long-awaited update to the pioneering standalone retopology tool inches closer to a final release.

Blender Institute names its four main development targets for the open-source 3D software in 2022.

Tree-generation software for VFX and games gets freehand editing mode, new tools for integrating 3D scans, and new pricing model.

Unusual app for building reusable animation libraries gets nonlinear motion editing and new facial rigging and animation toolsets.

Create a movie-quality 3D superhero with Eternals concept artist Luca Nemolato's Gnomon Workshop tutorial.