Motionographer

Framestore Pictures director Rich Lee has partnered with Capcom and Nomadic Agency to create a live-action trailer for Resident Evil: Requiem — a three-minute short that has already sparked significant fan response ahead of its official release.

VERSUS didn't buy a bigger office. They bought a burner phone. Twelve years later, the Manhattan studio that faked its way through its first client call has sold shows to Paramount Plus, launched a comic book at Comic-Con, and just released a 400-page book that deliberately avoids talking about themselves. This is the first Studio Stories written entirely from an in-person visit, a thesis about what happens when a creative company decides that the people matter as much as the pixels.

Concept Art doesn’t just decorate a production, it engineers it. In Part 2 of Keeping Visual Storytelling Alive, we move from history into the work itself, showing how concept artists turn research, references, and relentless experimentation into clear visual guides that teams can actually build from. Through insights from Léa Pinto, David Palumbo, and Eduardo Peña, the piece highlights what makes Concept Art indispensable.

BritBox, the leading streaming service for British television in North America, Australia and the Nordics, has unveiled a refined new brand identity designed in partnership with creative company Sibling Rivalry.

Maxon is thrilled to announce the highly anticipated release of Cinebench 2026, its latest iteration of the industry-standard benchmarking software, which has been a cornerstone in computer performance evaluation for two decades.

South Korean electronic artist Song Yeongnam has released the music video for the EP [PO WAH BUILDING 寶華大廈], transforming the album's conceptual narrative into a unique visual experience that blurs the line between sound and gaming.

Dutch lottery brand Staatsloterij returns with its annual New Year’s campaign, this year titled “Give each other some luck," produced in collaboration with British animation studio Blinkink.